The Antique Cradle

Every antique dealer should have an antique cradle. It’s almost a rite of passage. However, it is very hard to say why. Perhaps the reason lies in the fact that caring for a child is a prime instinct and that somehow a cradle in a display gives warmth, conjuring up the image of a safe, homely scene with the baby gentle being rocked to sleep by a doting parent. How cosey the scene seems! That the cradle conveys this image is set deep into our psyche, one only has to think of nursery rhymes “Rock-a-bye baby”. The concept of the crib even infiltrates our understanding of the very foundations of our society –  “the cradle of civilisation” for example.

A Georgian oak cradle, circa 1780.

Figure 1 A Georgian oak cradle dating from approximately 1780. This cradle is available at Carlton Fine Art and Antiques Centre, Salts Mills,

The cradle itself has been around for as long as we have existed, the prehistory cradles no doubt ranged from simple bark cradles to more sophisticated cradles not dissimilar to those produced today. The basic design being a box or receptacle that a baby can be placed in and easily rocked to sleep probably hasn’t changed for centuries. The cradle, along with a bed, has historically been one of the first items added to a household. By the 18th century cradles used by the wealthy became status pieces, many of the Georgian versions were sturdily made from hardwoods such as oak and mahogany and were designed with hooded ends and sometimes decorated with Gothic inspired spires and embellishments (Figure 1). These were large pieces of furniture made to last for years and they were passed on through families so becoming the cradle of the generations. However, fashions and styles change, and by the Victorian period cradles, although still following the same basic design, became softer, a trend that has continued through into the 20th and 21st Century.

This sort of brings us back to the original question – why should an antique dealer have a cradle in a display? I think the answer lies in the fact that a cradle calls to the innate parent in all of us.


The Apprentice Chest

The apprentice chest describes a miniature chest of drawers, traditionally believed to have been made by an apprentice cabinetmaker to demonstrate their skill. This is quite a romantic notion, and in many cases quite correct. However, so called apprentice pieces may have been made for other reasons. A large chest of drawers made from mahogany or oak is a very heavy item. They were also quite expensive and cabinetmakers needed to find some way of attracting buyers from quite a large catchment area. Doing this by displaying examples of pieces of furniture in different locations would seem an obvious way to drive orders. Unfortunately, transporting heavy pieces of furniture long distances in potentially poor weather along poor roads could be quite hazardous to the individual and the stock. To circumvent this some cabinetmakers made miniature furniture that could be used by commercial travellers to drum up orders. This allowed a cabinetmaker to improve his order book by demonstrating his skill as a maker of fine furniture, whilst significantly reducing the risk to himself and his expensive furniture.

Apprentice chests can be found in a number of different forms, from the traditional two short drawers over two long drawer arrangement with bone escutcheons and small turned knobs (Figure 1) to more ornate pieces. Apprentice furniture is growing in popularity. Georgian apprentice chests can now reach prices in excess of £800. Consequently, good examples are becoming hard to find and sadly this particular piece has now sold.

Builth Wells Antiques Fair (4th and 5th of May 2013)

Come and visit us at the Builth Wells International Antiques Fair this weekend. Look for the above sign to find us and if you tell us tell us you saw it on WordPress, Pinterest or Twitter we will give you a 20% discount on any item or items on our stand. We will be  in Hall 2 Stand B10.Penrose Antiques sign

Happy shoping

Rachel and Morgan

The Charles II Restoration Chair (1660)

Ah, that’s better, great to get the weight of my feet. How many of us think something similar on a daily basis? This sort of brings us to the means of that relief, the humble chair. They come in all forms, the chairs for special occasions and for special people, down to the most functional and simple. All basically serve the same function, that of allowing one to sit down. The chair has been with us through the eons of time, the ancient Greeks used chairs, as did the Ancient Egyptians. Some of the earliest known pieces of furniture were chairs. These were of course status symbols sat in by monarchs, with the more lowly souls sitting on benches or stools. The importance of the chair is reflected in much of society, with a position of importance being associated with a particular chair. For example, in academia becoming a professor is referred to as acquiring a chair.Charles II Restoration Chair1a

Early English chairs were normally of local woods, such as oak and were typically constructed using large solid panels, so one didn’t sit on a chair but in it. These chairs were again status symbols and often carried ornate carved inscriptions and dates identifying the owners. However, by the restoration Period (1660-1665), European influences had been imported along with the restoration of the monarchy in the form of Charles the 2nd. These chairs were still major investments, but were of new exciting woods, walnut being the most popular. The designs were lighter and much more reminiscent of modern chairs (Figure 1A), but more ornately carved, with barley twist front legs inserted into a carved seat frame (Figure 1B) and barley twisted back legs that extended to form a long raking back terminated by finals  (Figure 1C) often of an acorn design. The seats were often of cane and cane or rushes and the backs of these chairs were very ornate with a central caned panel surrounded by pierced carvings often depicting floral scenes, sea beasts, cherubs and riders (Figure 3C). The cross stretchers in earlier chairs were purely functional, but by the Restoration period they had acquired a new function, that of ornate decoration.

One problem with these newly developed chairs was the long sweeping back legs extending up to form the long back. The angle of the back meant that they had a natural weakness at the joint between the back legs and the seat frame and the vast majority of remaining examples of the restoration chair have Georgian or earlier repairs, normally with a metal plate wrapped around this weak point (Figure 2). That these chairs were repaired, reflects their value. Their quality was remarkable and it is always a pleasure to find one in a good serviceable condition. They not only carry their history with a certain elegance, but have a real presence in a room or a large hall. Interestingly the style of the restoration chair was mimicked in the Victorian and Edwardian period in the form of the Jacobethan chairs (Figure 3). These much later chairs are very attractive and are easily distinguished from the originals in that the more modern versions are normally in oak, used more modern joints and have an arrangement of stretchers more resembling a modern chair.Charles II Restoration Chair 2a Edwardian Jacobethan chairs

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